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The famous "To be or not to be" soliloquy comes from William Shakespeare's play Hamlet (written around 1601) and is spoken by the titular Prince Hamlet in Act 3, Scene 1. It is 35 lines long. Here is the full text: To be, or not to be, that is the question, Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune,

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To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take Arms against a Sea of troubles, And by opposing end them: to die, to sleep No more; and by a sleep, to say we end The heart-ache, and the thousand natural shocks That Flesh is heir to? 'Tis a consummation

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By Dr Oliver Tearle (Loughborough University) 'To be, or not to be, that is the question': perhaps one of the most famous lines in all of English literature, but arguably also one of the most mysterious - and one of the most misread.

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To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles And by opposing end them. To die—to sleep, No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to: 'tis a consummation

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Points to Ponder In his book Shakespearean Tragedy, A. C. Bradey notes that "The present position of the 'To be or not to be' soliloquy, and of the interview with Ophelia, appears to have been due to an after-thought of Shakespeare's; for in the First Quarto they precede, instead of following, the arrival of the players, and consequently the arrangement for the play-scene.

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The full quote, "To be, or not to be, that is the question" is famous for its open-ended meaning that not only encompasses the thoughts raging inside Hamlet's mind but also features the theme of existential crisis. Digging deeper into the soliloquy reveals a variety of concepts and meanings that apply to all human beings.

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Hamlet's soliloquy takes up to four minutes to perform. As far as historians can ascertain, the first Hamlet performance was in 1600 or 1601. The acting troupe was the King's Men, and the venue was, of course, the Globe. Hamlet, at 4,042 lines, is the longest Shakespearean play. Performances usually last 4-5 hours.

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To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation

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This article is going to help you unlock Hamlet's famous "To be or not to be" soliloquy from Act 3 Scene 1. The speech happens in Act 3, Scene 1 of the play. It's fair to say that Hamlet is going through a lot at this point in the story. He is facing several obstacles: he is grieving the death of his father; he is questioning the hasty.

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To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end.

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"To be or not to be" is one of the most famous lines in all of English literature. It marks the beginning of Hamlet's "to be or not to be" speech, which is a soliloquy. The speech and the line reflect some of the existential questions that Hamlet the play and Hamlet the character are interested in. What Is a Soliloquy?

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To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles And by opposing end.

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1. The range of discussion before 1933 is well represented in the abundant documentation of Irving T. Richards, "The Meaning of Hamlet's Soliloquy," PMLA, xlviii (September 1933), 741-766. With the exception of Samuel Johnson's comments on the soliloquy, comments that modern critics have frequently referred to, only criticism since 1933.

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Please SUBSCRIBE and SHARE.TO BE OR NOT TO BE (Hamlet) is shared here with those who admire Shakespeare's work and those who haven't had an exposure to such.

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To be or not to be kendisi için; Bir akşam uyudu; Uyanmayıverdi. Aldılar, götürdüler. Yıkandı, namazı kılındı, gömüldü. Duyarlarsa öldüğünü alacaklılar Haklarını helâl ederler elbet. Alacağına gelince… Alacağı yoktu zaten rahmetlinin. III Tüfeğini deppoya koydular, Esvabını başkasına verdiler. Artık ne torbasında ekmek kırıntısı,